A contest dedicated to transcendental cinema, at its several meanings, including philosophic, psychological, scientific, anthropological, spiritual and poetic cinema.

Because transcendence in the man and the world, might be eventually ineffable and, on this, cinematographic art has certain advantages, and a huge responsibility.

WITHOUT TIME

Cinemística as an open space-time, with non restrictive features, enabling the authors to develop their own language: all formats, duration, nationality, year of production, etc. are accepted.

A REFUGE

An international refuge for films that intend, technically or with the plot, an approaching to the big mystery of world representation, in the art and in the man. Without dogmas, under any individual or collective perspective, from faith, but also from agnosticism, spiritual atheism and scientific thought.

A POETIC CINEMA OF CONTEMPLATION

Filmmakers' looks, in all their socio-cultural diversity, interested in any film as a result of personal discovering, researching or experimentation, inspiration and work, from revelation or introspection of the authors. Quotidian, ecstasy and disparity as structures to create depth on the film treatment.

ASCETICISM

Mysticism and asceticism in film production represent, probably, a more absolute estate compare to others, because a cinema with huge budget and more technical complexity could be done, but sometimes the most humble and simple film is, however, universal.

THE STILL

Impermanent cinematographies, from the still, from 'amateur' cinema (from French verb aimer), define directors not only by what they show and how they do it on screen, but by what they decide not to show.

PHENOMENOLOGY

What appears and disappears, topologies emergence, materials or conscious, and their invisibility or subsequent expiration. The sequential surroundings of emptiness, of matters and time. Shafts at the discourse, eloquent, everyone can understand it by himself. Absence and miracle: Mystic as a possible cohabit together.

Who we are

From 2014 the headquarter of Cinemistica Film Festival is the historical building of La Corrala de Santiago of the University of Granada, where take place most of the screenings and colloques of the festival.

We are a small team, formed by Elena Gómez García (art historian), Eva Bellón (designer), Miguel Ángel Sáez (telecommunication engineer), Pablo Sánchez (architect) and Manuel Polls Pelaz (Arte7Cinemateca manager).

Other members and friends from Guadalcine Association collaborate with communication and promotion.

Asociación Guadalcine-logo

Manuel Polls Pelaz

Manuel Polls Pelaz, who called himself "cinehasta" (in the impermanence way: a cinema pilgrimage), owner of the film producer 2Angeles Films, is the responsible of the endow and management of the contest Cinemística. Manuel also endowed and directed in Barcelona (1993-1996) the contest L'Alternativa, and presided the Foundation La Jungla, which organize the European Cinema Market of Barcelona (1997-1999), and he also has directed al at the same time the contest NET (New European Talents), even the famous summer contest Grec in Barcelona.

Settled in Granada from 2002, he has been directing from then to now the Guadalcine Associated, and he also directs the touring cine-club "La Cueva del Ojo", which regularly programs cinema sessions in differents Faculties of the University of Granada, Cádiz, Seville, Córdoba and Malaga.

From 2013 summer, Manuel Polls also takes up the management of Arte7 Cinemateca from Granada, institution in charge of organizing the contest Cinemística.

Since 2017 he directs the Film Laboratory of the Technical School of Architecture of the University of Granada.

Where we are

Cinemística was born in Granada, Spain, the border between east and west on the inside representation of the world, between the symbolism of the magnifier and the magnet. It is a gap in the space-time, and civilizations memories, between the magnifier and the magnet, timeless homeland for poets and alchemists from every art and belief.

You can find us at Arte7Cinemateca, Santiago Street, 73 5ºB, 18009 Granada (Spain).

PROGRAMME 2020/21

POSTPONEMENT VII FILM FESTIVAL UNTIL 2021

Dear friends, last Monday 9th November the regional government of Andalusia published compulsory rules for Granada which involve the closure of cinemas and the cancellation of in-person cultural activities. Thus, we have no choice but to postpone the festival until 2021, hoping that we can hold it as soon as possible.

As you can see at our blog everything was in place, with 70 films selected, the jury, the programme well defined etc.

The crowdfunding was also being activated, thanks to all the people who decided to collaborate.

Fortunately, in 2021 the theme of this year’s edition will still be THE SURROUNDERS OF SILENCE, which is timeless, and although it is very much in keeping with the prevailing MEDIATIC noise, it was not at all opportunistic because it was defined before the international health pandemic.

So until very soon, and a little bit of patience, with our thanks to the authors of the films, entities and collaborators, spectators, team and media that support our small-big event.

HEADQUARTER

MAIN SPONSOR

SUPPORTER
Juanta de Andalucía - Hoteles PorcelInstitut Francais - Facultad de Bellas Artes UGR - Facultad de Filosofía y Letras UGR - Facultad de Traducción e Interpretación UGR

For 2021, the special competitive thematic section will continue being THE SURROUNDINGS OF SILENCE: Films about the external and internal silence, about the paradoxes of language, about the before and after of action, the silence which precedes and follows spoken outcomes. Films that map silent, silent, forgotten places and characters. In praise of silence as an ecosystem in which talking codes, idiograms and statements, voices and indiscreet symbols, with their niches/significant and beings/significants interacting, cohabit. The infinite distance between words and things. Silences that fight against the mutism and the excess of information of the monoform in the monoworld. Films about silent breaks, quiet revolutions, silences against the oppressive discourse system of indifference, based on lies and other truths. Shouting in a low voice. Insubordination and silence!

In addition, the three usual competitive sections are maintained:

  • · Cinema: Art cinema, experimental films, research, auteur cinema.
  • · Anthropological Week: Ethnographic films, visual anthropology in its broadest sense.
  • · Children's cinema: Films designed for viewers between the ages of 3 and 11.

In addition to the above-mentioned sections, there will be other sections such as retrospectives, tributes and colloquiums on the theme of sound in the art of cinema.

MICRO-SPONSORSHIP

As you know, Festival Cinemistica does not have subsidies, and is financed by small contributions from the sponsor and collaborating entities. If you wish, you can make your voluntary collaboration effective, making a deposit in the Guadalcine Association's bank account of the Caja de Arquitectos de Granada (after the San Agustín market), by any means you wish (transfer, hand deposit). Please always indicate your name and surname, which will be published on the festival's website and blog.

IBAN code of the account:  ES81 3183 1800 1510 0445 4524

Four categories of participation have been established:

Friends of the Festival: 25,- €

Festival partners: 45,- €

Festival protectors: 95,- €

Sponsors of the Festival: 290,- €

MICRO-SPONSORSHIP AT 11 NOVEMBER 2020 (STILL OPEN):

Sponsors of the Festival: Isabel Margarit Pelaz

Festival protectors: José Luis Gómez Ortdóñez, Mariano Lisa Escaned, Antonio Navarro Suárez, Viky Polls Pelaz, Fernando Polls Pelaz, Daniel Moreno Linares

Festival partners: Charles Austin, José Antonio Amiano, José Javier Rodado Montes, Anónim@

Friends of the Festival: Carlos Dotres Pelaz, Laura Apolonio, Mar Garrido, Mª Teresa Gómez Ordóñez, Lola Gómez Ordóñez

Festival rules

Cinemística2019 logo

1. Participation

Participation is open to all film producers and directors of any nationality or origin. Each author can present the number of films that they want, except for films which have previously been submitted to this contest.

2. Requirements

All genres are allowed (fiction, animation, documentary, experimental), production year, duration (shorts and features films), and format. The pieces will be presented either on DVD or Vimeo link etc.

The formats of the films to the projection can be:

  • - Physique format of S8mm, 16mm. or DVD or BluRay.
  • - Digital format (.MP4, .MOV, .MPEG, etc...)

The participant films must be in original version with Spanish subtitles. They could be admitted with English or French subtitles, by justified reasons.

The authors will be the responsible of doing the pays of the copyright of their films.

3. Registration

To participate in this contest, the following conditions must be respected, and the participants will behave in accordance with:

- Each participant must complete and send before the dead-line the registration questionnaire which will be found further on this same web: www.cinemistica.com

The Festival will recognize the signer of the registration questionnaire as the only interlocutor to negotiate all the aspects related to the film and as the only responsible rather than other companies or people who have been involved on the film production.

- Audiovisual format for the preselection.

In case that you have not indicated in the entry form a link & password for downloading your film, a copy will be sent by postal mail or courier service, in DVD or BluRay format, to the next address:

ARTE7 CINEMATECA
Calle Santiago 73 5ºB
18009 Granada - Spain

Transport costs will be paid by the entity which register the film.

The registrations also can be done through clickforfestivals.com, movibeta.com, festhome.com and filmfreeway.com.

Click for festivals Click for festivals

Express agreement is made to the contrary, the Festival will not return any DVD received. In case of refund, the shipping costs will be paid by the person who request it.

The sender will communicate immediately to the Festival the delivery information.

In case of being selected, the management will contact the author asking for the material necessary for the projection and promotion of the film.

Selected films will be exhibited at the time and places showed on the programme and on the official website www.cinemistica.com. The films received will be kept on Arte7Cinemateca catalogue and may be free used (without copyrights etc.) for their cultural activities as well as in screenings in the Asociación Guadalcine/Arte7 activities in universities, cinema clubs and cultural centers.

Participation implies the full acceptance of these rules.

4. Price list for film inscriptions

Film with a duration of 30 minutes or lower: 7.-€
Film with a duration over 30 minutes: 15.-€

Payment method: Only by PayPal
When the payment is made (each film submitted should be paid independently), you will receive from Pay Pal an ID number of registration, which you have to introduce in the first field of the Registration Questionnaire.

Duration of the film

5. Deadline

5th September 2020

Entry form

THE DEADLINE FOR FILMS 2020 IS CLOSED

The compulsory fields are marked with "*". when this information is missing, please fill with "0"

For technical reasons, it is recommended to register for the festival through other browsers than Google Chrome. In any case, if you have problems with the submission of the registration form, please contact the festival team by sending an email to info@cinemistica.com.

(See Rules: Registration fees)
(e.g. a Dropbox folder including pictures of the director, pictures of the film, poster):

Section of inscription for your film (maximum 2 sections per film):*

CINEMYSTIC Section: Art films, Experimental/Spiritual/Independent & Avant-Garde cinema)

ANTHROPOLOGICAL Section: Ethnographic Films

Section "2020 THE SURROUNDINGS OF SILENCE"

CHILDREN'S section: films for children 4-10 years old

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AWARDS

The first and highest award of the contest has a strong symbology: “THE MAGNIFIER AND THE MAGNET”. It’s about two elements connected very close with the person of the famous granadian cinemist José Val del Omar (1904-1982), who thought about the magnifier as occidental culture symbol (the obvious, the rational) against the magnet, element of the oriental culture (the magnetism, the invisible). For Val del Omar, Granada will be the meeting point between East and West.

THE MAGNIFIER AND THE MAGNET

THE MAGNIFIER AND THE MAGNET

See photo album Awards 2018

See photo album Awards 2017

See photo album Awards 2016

See photo album Awards 2015

See photo album Awards 2014

Ver álbum